I went to visit Terence at adorable the other day and heard a lot of good things about
lomography from him after he visited a lomo shop located inside one jaya shopping mall. The sales person is very courteous and quite helpful in explaining function and features of a lomo camera and lomography in general. I must admit back in the heydays of using my dad's film SLR, I was wishing for a camera with an auto exposure instead of just twiddling the shutter speed and aperture and loading a fix ISO film and pretty much do a lot of guess work on the photos taken. Now that I've tried DSLR, the cycle of human curiosity turns right back at film photography. In this case a lomo.
Unlike conventional film camera, lomo is relatively low cost in production, notice that the keyword here is "
relatively low cost in production" but it doesn't mean its a low cost construction. The lens are usually constructed from plastic and it is this type of construction that renders each and every lomo camera unique (no two lomo camera is the same, even if it's the same model and same batch production). Aside from the overtly saturated, vignetting ,off-kilter exposure and even crazy blurring characteristic, lomography also exhibit a technique call multi exposure whereby you can just put a layer of layer of images onto a single frame of film overlaying one another.
Back to the lomo shop, the brand they carry mostly is the
Gakken TLR 35mm which basically is an assemble yourself concept twin lens reflex lomo camera. Other brand on display are the Diana and also Holga, both are quite reputable in the lomo world. So if your a lomo freak, do check out lomography shop at one jaya shopping mall. Check out adorable gift shop nearby while your at it :)
Now curiosity got the better of me, so I decided to try to emulate the Gakken TLR output on a digital jpeg file. After 4 hours of trying, it's safe to say that I agree fully with the salesman that lomo is unique itself and the amount of photoshop work done on a digital will never beat the original lomo feel.
Below is the work flow that I use on the 8 photos taken during my early Hanoi trip.
- Photo selection
- Import photo into Photoshop CS5
- Create a fake and impossible depth of field using the Lens Blur filter and masking away the portion that I wanted to make it sharp.
- Export to desktop
- Import the edited photo into Lightroom
- Applied various presets to turn the color of the photo into extreme saturation.
- Added a fake vignetting using lightroom
- Export to a folder
- Import into Photoshop CS5 again for watermarking.
Here are the sample of 4 hours of editing work (could have been faster, but my pc are quite low end for such heavy editing work)

We were on the van going to Halong Bay i think, a drive through the city is a great way to capture people in their element. Not being noticed by them does helps a lot.

When I was here, I only could think back on the Vietnam wars. Probably too influence by Terence obsession with war movies. Her missing leg immediately captured my imagination that she is a must capture.

The streets of Hanoi are pretty much devoid of colors as it was heavily laced with mud just about everywhere. A spur of the moment came the moment a colorful object show up in front of the viewfinder. Ladies and gentleman, we have color.

Although Vietnam is slowly recovering from the horrors of war, did you know their broadband services is way faster than our national "pride", streamyx. Doesn't that feel like a foot up the ass ?
The whole thing of having a barber at the pedestrian walkway just screams "Photo Me" from 1 km away.

Pair an entry level with a half decent lens, you can get ooo lah lah photos too. Body tends to come and go but lens stay forever. Choose wisely. The three frame portraiture work of a single person draws my attention. I was quite hungry at that time, but the
chau pai fried rice make up for it.

The 55-250mm IS was one of the best budget telephoto ever created by Canon. It's equivalent to the 50mm 1.8 dubbed nifty fifty while the former is known as nifty two fifty. I've sold 2 of the best budget lens by Canon throughout my time using EOS, the 55-250mm IS and the 85mm F1.8 both of which I quite regret on the later stages.

A gold fish on a sink. Classic.